Monday, October 12, 2015
Thus begins the introduction for a short story by E. Nesbit, one of the nine tales included in Mistresses of Mystery, Two Centuries of Suspense Stories by the Gentle Sex. Selected and introduced by Seon Manley & Gogo Lewis, and published by Lothrop, Lee & Shepard Company in 1973, this spine tingling collection of tales continues our autumnal theme of scary stories with Edward Gorey connections. Each story included in the volume is given an informative introduction with background information on the author and tale that follows.
The volume is remarkable for the beautiful three color dust wrapper illustration by Edward Gorey showing an authoress engaged in imagining tales of murder and fright. Borrowing an idea from himself which he employed in his production design for the Nantucket production of Dracula from the same year, Mr. Gorey adds two splashes of bright red to the monochromatic drawing for emphasis. Mr. Gorey also uses this exact style of coloration to great effect on his poster for the 1975 Lillian Hellman Tribute (see my post from September 19, 2009)
This volume could have only been improved by the addition of more illustrations by Mr. Gorey.
Monday, October 5, 2015
When planning your "Tricks and Treats" route of buildings and homes near The Edward Gorey House this Halloween, you may want to have Haunted Yarmouth, Ghosts and Legends from the Cape as your guidebook - both for places to visit and for buildings to avoid.
Published in 2008, this volume chronicles strange happenings and sightings in and around Yarmouth, MA. Of course, Edward Gorey's home located at 8 Strawberry Lane is included in the book. Built in 1820, Mr. Gorey purchased the home in 1979 and lived there until his death in 2000. The home is now open as the Edward Gorey House Museum. There have been several unusual incidents at the residence, both while Mr. Gorey was alive and since his passing. Visit the museum and see if you feel a cold chill down your spine in the back room!
Saturday, September 26, 2015
The Haunted Looking Glass. This is a collection of short horror stories from a variety of authors, each chosen by Edward Gorey when he was an editor at The Looking Glass Library. In addition to choosing the stories to be included, Mr. Gorey illustrated each tale with a book cover style design which appears before every story.
The spooky tales contained in this collection are often told in a first person narrative style and end with a chilling plot twist. The collection reflects Edward Gorey's omnivorous reading habits, and includes famous authors as well as stories by less well known writers. I own the original artwork from two of my favorite tales included in the book.
The Body Snatcher by Robert Lewis Stevenson is a tainted tale associated with early medical research. Mr. Gorey's expert use of line work creates just the right mood through his mastery of light and shadow. I particularly like the composition of this piece with the hanging skeleton presiding over the evil proceedings. At this point in the story, a decision hangs in the balance that will haunt the participants forever.
The Monkey's Paw by W.W. Jacobs is a cautionary tale, encouraging the reader to be careful what you wish for, because it just might be what you get. Using only pen and ink on white paper, the variety in the line work on this beautiful illustration provides a tense, moody backdrop for the scene. The theatrical effect of the shriveled monkey's paw on the table is accentuated by the glow on the faces and the darkening of the chairs around the circle of onlookers. This subtle use of light and shadow makes the tiny dreaded object the center of attention. This is my favorite illustration in the book.
In later interviews, Mr. Gorey stated that The Haunted Looking Glass was a particularly difficult project because he did not want to give away the plot with his illustrations. This, of course, is the challenge for all great illustrators - to enhance and embrace the writing, luring the reader into the story, but not spoiling the experience for the reader by telling too much.
Tuesday, September 22, 2015
The Chessman of Doom.
This story has all the elements of a great Bellairs' tale, with Johnny, Fergie, and cranky Professor Childermass trying to outwit an evil sorcerer who is intent on destroying the world. This title also has my favorite frontis illustration from the series created by Edward Gorey. Menacing and creepy, our intrepid trio is confronted by a skull-headed man in a cassock who shows them three coffins, which are intended to be occupied by the visitors.
Just as watching the movie Mary Poppins always results in the making of gingerbread, a side effect of reading any of John Bellairs stories is that they force you to make gooey chocolate cakes!
Saturday, September 19, 2015
Daniel Levans, a talented dancer, performer, teacher and director has passed away. Mr. Levans directed and choreographed Amphigorey at the Perry Street Theater in 1994 and Off Broadway's The Gorey Details in 2000.
Saturday, September 12, 2015
While it is true that in conversations and interviews Edward Gorey held observations and had comments on virtually every subject, he rarely tackled political subject matter in his artwork. It is unusual therefore to find an illustration by Mr. Gorey for a politically themed article.
The March 1963 issue of Holiday Magazine contains a wonderful full page illustration by Edward Gorey for the article The Department of Justice. The article, written by Tristam Coffin, is the ninth in a series published in the magazine. In 1963, Robert F. Kennedy was the Attorney General, and the article illuminates the functions and responsibilities of the department he headed.
Mr. Gorey has provided a teaser illustration for the title page of the article showing angels and demons surrounding the departmental logo. One member of each pair is alternately pleased and distressed to be linked to the department.
The full page illustration is a masterwork in grey tones. Perched atop a towering stack of Federal Statutes, Blind Justice is crowned by the department's motto, Qui pro domina justitia sequitur (according to the article, this means "Who prosecutes on behalf of justice."). The detailed illustration illuminates many departmental responsibilities and concerns discussed in the article, each given a humorous twist through the insight of Mr. Gorey. Of particular note is the large robot in the lower left hand corner who is being thwarted by a departmental representative, and the "highly irregular deportation procedures" in the upper right corner.
This illustration is particularly well printed in the magazine. The quality of the reproduction shows all of Mr. Gorey's subtle watercolor effects and exacting line work in fine detail. Holiday was a large format publication, and assuming this piece was drawn life size for the magazine, this is an very large piece of art at 10 3/8" x 13.5".
9/15/15 - A viewer of this blog has informed me that this image appears on an Edward Gorey House print entitled Cycle of Crime. According to the EGH, the print was made from a previously unpublished piece of artwork. The central angels and devils also appear on the print.
Monday, August 31, 2015
Each year, the Edward Gorey House produces several limited edition prints. The selection for 2015 includes two theater scenes and an alphabet. Each limited edition print is hand numbered and "signed" with an embossed facsimile of Edward Gorey's signature. To purchase prints, visit the Edward Gorey House website.
The first print is Gorey Theatre Dance. A celebratory dance of odd characters on a stage, the image is full of fantastic Gorey details. The image measures 6.5" x 7.75" (paper size is 9" x 11.75") and appears in full color. This image was originally created for Signals catalog.
The second print is theater related image titled The Fatal Intermission. The image measures 10" x 4.75" (paper size is 11.75" x 9"). This full color painting was created by Mr. Gorey in 1990 as the dust jacket design for 13 Plays of Ghosts & the Supernatural, collected and edited by Marvin Kaye.
The third offering, Figbash Alphabet, reunites the viewer with one of Edward Gorey's signature creatures. Figbash dances and contorts himself into each letter of the alphabet. The image measures 9" x 14.5" (paper size is 11" x 17").
All three prints are being offered as a standard printing, a numbered limited edition (200 copies) with an embossed signature, and a lettered limited edition (26 copies) with an embossed signature. Contact The Edward Gorey House to order your prints today!