Thursday, May 28, 2015

Auction News


On June 10, 2015, Swann Auction Galleries in New York City will hold its annual auction of Art Press & Illustrated Books. Included in the auction is a substantial selection of books, prints and posters by Edward Gorey. Many of the Gorey items are signed limited editions. To view the catalog on line, go HERE.



If you prefer to bid on an instant Gorey collection, you can take in the Fine Printed Books and Manuscripts at Christie's Auction House in New York City on June 12. Lot 80 consists of 180 pieces by Edward Gorey including books, hard to find limited edition prints, and a large selection of ephemera. To view the listing, go HERE.


Monday, May 18, 2015

The Darkwater Hall Mystery



Lucky Jim, Kingsley Amis' first novel, was published in 1954 and is one of Edward Gorey's earliest book cover designs. Lucky Jim is one of the book cover designs featured in Edward Gorey: His Book Cover Art and Design (see my post from April 17, 2015).

Though Mr. Amis (1922 - 1995) would go on to publish more than 20 novels, six volumes of poetry, numerous short stories, scripts, and literary criticism, Edward Gorey would only provide an illustration for one other work by the author. The Darkwater Hall Mystery first appeared in May 1978 in Playboy Magazine. An expanded version of the short story - without Mr. Gorey's illustration - was published in 1978 as a limited edition book (165 numbered copies). The Darkwater Hall Mystery is a pastiche of Sir Arthur Conan Doyle's Sherlock Holmes stories and is written as an account by Dr. John Watson. In the late 1960's, Amis had also written several pieces taking inspiration from Ian Flemming's James Bond novels.

Edward Gorey's three quarter page color illustration for this story is a wonderfully atmospheric image of a man with a gun standing behind a tree, with Darkwater Hall looming ominously in the distance. The artwork is meticulously crosshatched to evoke a sense of brooding menace. This illustration perfectly demonstrates the time and painstaking care Mr. Gorey would expend on an illustration which was intended to be used only once in a periodical.




Monday, May 4, 2015

Stuffed Creatures Part 2: Edward Gorey Hand Made Dolls Updated



My original post, Stuffed Creatures Part 2: Edward Gorey Hand Made Dolls appeared on October 28, 2010. This is the original post expanded and updated.

Edward Gorey amused himself, his friends and fans by hand sewing small stuffed creatures which were both recognizable and fantastical. Rarely sold during his lifetime, Mr. Gorey usually gave his stuffed creations to friends, family, and associates as gifts, making them very rare and highly collectable.

Edward Gorey hand made the dolls in very limited quantities -designing the patterns, cutting the fabric, sewing and stuffing the dolls - usually while watching television in the evenings. Mr. Gorey almost always stuffed these creatures with rice. I once saw a short film on Mr. Gorey where he demonstrated how he would push the rice into the hands and feet of the figures using a chopstick. Because he used a food staple to fill his creatures, they are susceptible to high humidity and to invasions by bugs or mice if they are not stored properly. I was told that after Mr. Gorey's death, a box of half eaten creatures was found in his home. I have discussed proper storage suggestions for these rare pieces in my posting from March 31, 2010.

Here are examples of the variety of dolls created by Edward Gorey:

Figbash - The most obtainable of all the creatures, Mr. Gorey originally created 26 black Figbash dolls to accompany each of the lettered copies of The Raging Tide. Changing the pattern slightly (the fingers being slightly different), Figbash dolls were next offered in solid black or solid white flat cotton fabric for sale in the lobby at his theatrical shows which were performed near his home. Mr. Gorey only appears to have created a very small number of all white flat cotton Figbash dolls. The flat cotton all black and all white Figbash dolls remain the rarest of the fabrics offered for this doll.

Eventually, Gotham Book Mart was able to procure Figbash dolls which they offered for sale to collectors. The Figbash dolls sold through GBM were created in a wide variety of highly decorative fabrics. I have several Figbash dolls in my collection (see my posting from March 31, 2010).

Bats - Created in shiny silver (and sometimes pink satin) fabric, bats were made for friends. Mr. Gorey created a handful of bat dolls to decorate one friend's Christmas tree, and it was rumored that he gave each cast member of Dracula a bat doll (I have not been able to confirm this story). I do not have a bat in my collection - the photo is from an auction listing.

Frogs - I have a wonderful Gorey frog in my collection. Like the commercially produced frogs (which are discussed in a different posting), these amphibians can lay splayed flat or sit up in a wonderfully lumpy way. The frogs have button eyes and there are variations on the shape of the feet between frogs.

In 1992, Mr. Gorey created a small number of frogs out of holiday fabric which were sold in the lobby at The Theater on the Bay during the run of his play Stumbling Christmas. The holiday frog pictured was offered on an on-line auction and is not in my collection.

Elephants - Elephants appear in several fabrics including the grey velvet shown. With their floppy ears and long trunks, these elusive dolls are the most three dimensional of all the Gorey-made creatures and can be manipulated into many poses.

Salamanders - The salamander is practically an abstract animal bean bag. The example in my collection is made in a deliciously "mod" black and white dotted fabric which adds to the Rorschach quality of this toy. The tail is sewn in a twisted curly-cue and the head looks like a pair of pincers. This stuffed animal must have been particularly difficult to sew, turn inside out and then stuff with rice.

Rabbits - While I do not have a rabbit in my collection, I have seen three distinct variations on this creature. The first is an abstract dancing rabbit figure. These delightful creatures look more like three dimensional doodles than finished animals. The pair of yellow rabbits shown to the right are in another collector's collection.

The second version of a Gorey rabbit can be seen on page 4 of Carol Verberg's volume EDWARD GOREY ON STAGE.  This bunny is a long thin creature with over sized ears and it closely resembles Mr. Gorey's illustrations of Brer Rabbit.

The third style of rabbit is a well fed, cuddly version with button eyes. The rabbit shown was sold in an on-line auction and is not in my collection. Another example can be seen in the photo at the top of the page. This photo was taken at the display of creatures at the Edward Gorey House.


Doubtful Guest - The Edward Gorey hand made Doubtful Guest dolls have the look of a ritual figure. The group of four shown are here courtesy of another collector.

Other Creatures - There are still quite a number of other creatures which Edward Gorey hand made, some in limited quantities and others as one of a kind creations. One lizard-like creature can be seen in the photo at the top of the page. I have not personally seen all the varieties of creature made by Edward Gorey, but it is interesting to see his imaginative ideas transformed into three dimensional objects.



Friday, April 17, 2015

Edward Gorey His Book Cover Art & Design


Edward Gorey His Book Cover Art & Design is the latest in the long line of books about Edward Gorey and his work. Published by Pomegranate, this handsome 131 page hardcover volume features a large color photograph on almost every page. The covers featured in this volume concentrate on Mr. Gorey's early years, as does the lengthy and informative essay by Steven Heller. A sampling of covers created after 1970 are included, but the focus of this volume is on Mr. Gorey's early work.
This new volume elegantly promenades each cover on a single (and occasionally double) page spread. The book is not intended as a bibliography and therefore does not show every cover designed by Mr. Gorey. The presentation gives the reader the opportunity to drink in the unique quality of each design, comparing and contrasting Mr. Gorey's earliest works with more mature efforts.




Sunday, March 29, 2015

2015 Edward Gorey House Exhibition



Get your travel plans set to visit The Edward Gorey House this year because the new exhibition will open on April 16th. Now in its 13th, the EGH celebrates the life and work of Edward Gorey with annual themed exhibitions or original artwork, printed materials, unusual memorabilia, and eclectic ephemera from his life. Making the experience unique, the museum is housed in the home Mr.
Gorey lived in.

A prolific illustrator and author, Edward Gorey published his own works while also illustrating hundreds of books by other authors. The 2015 exhibition is titled, From Aesop To Updike Edward Gorey's Book Cover Art & Design, and features books and original artwork from Mr. Gorey's earliest days working at Anchor Publishing to the posthumously printed Cautionary Tales by Hilaire Belloc.

For more information on The Edward Gorey House and the 2015 exhibition, go HERE.



Monday, March 16, 2015

National Post Card Week Original Artwork




From 1984 to 1996, Edward Gorey created a series of postcards celebrating National Postcard Week for Gotham Book Mart (See my post from May 4, 2012). The cards announce an annual exhibition of postcards at the gallery.

The original artwork from the 1993 card shows a young woman leaping over the outstretched arms of an adoring male audience in the moonlight. As she soars above them, she is scattering a postcard for each to catch. All of the open hands wear a matching ring, and presumably matching tuxedos. The crosshatched background deepens behind the woman, giving the image the appearance of a stage set. This artwork has been reproduced many times with the lettering removed from the sash.


It is always interesting to compare Mr. Gorey's original uncropped artwork to the final cropped image. For this image, the cropping shortens the arms on the left and cleans up the edges, tightening the image and focusing our attention on the woman. The uneven edge on the original art reveals the hand work involved in producing the crosshatched background, bringing Mr. Gorey's involvement with the piece alive.



Sunday, March 8, 2015

Ineptitude and Frivolity


Over the span of more than 25 years, the work of Edward Gorey appeared in The New Yorkermagazine. Advertisements, spot illustrations, a cover design, and independent works appeared alongside the magazine's oblique cartoons, articles, and reviews. Edmund Wilson also famously reviewed Edward Gorey's early books in the magazine in December 1959.

Two wonderful pieces by Mr. Gorey appeared in 1993 as full page illustrations (magazine scans shown). The first appeared with the title, Artist's Notebook by Edward Gorey in the March 22, 1993 issue. The image shows Frivolity donning the Galoshes of Remorse. This fantastic image appears at the beginning of Amphigorey Again and can be purchased as a print from The Edward Gorey House HERE.

A seldom seen companion piece appeared in the May 10, 1993 issue entitled Blemished Escutcheons by Edward Gorey. This equally wonderful piece features Ineptitude being saved by World Success. Visually, the vignette for this piece is highly reminiscent of the images Mr. Gorey created for Mystery!.