Sunday, June 17, 2018
Dracula began when he first read the novel by Bram Stoker as a young child. By the mid 1970's, Dracula and Edward Gorey would become forever linked to one another.
The 1970's were an incredibly prolific time for Edward Gorey. During this decade (Gorey turned 45 in 1970) he published 33 of his own works, created book covers and illustrations for works by other authors, did spot illustrations and advertisements for magazines & periodicals, created original artwork for two Fine Art exhibitions at Graham Gallery, and designed the theatrical sets and costumes, including two seminal productions of Dracula.
For each of these ventures, Edward Gorey completely reworked and redrew all the settings and characters depicted in the story. For the Nantucket production, Mr. Gorey came up with stone wall inset with bat topped arches into which panels would be inserted to change the settings for each act of the play (see above drawing). While he never abandoned this basic format, each incarnation changed and became more layered and elaborate. The bats multiplied, and the bodies continued to pile up in subsequent interpretations.
A recent acquisition is a Dracula set drawing from Act 3 of the Broadway production. This insert panel appears on the right side of the stage in The Vault (or Crypt) and shows a catacombs style final resting place of two of Dracula's victims with a pile of discarded human skulls on the floor. A similar burial wall appears on the left side of the stage.
It should be noted that all the sets for Dracula were hand painted by talented scene shop artists. Every cross hatched line on the walls, furniture, and floor had to be recreated to size by hand...a task almost as astounding as Edward Gorey's fanatical crosshatched drawings themselves. The final photo shows actor Raul Julia in costume on the Broadway set (Mr. Julia succeeded Frank Langella in the title role).
Dracula Broadway set photos from the New York Public Library Digital Collections.
Tuesday, June 5, 2018
Illustration Art Auction at Swann Auction Galleries in New York City featured a nice selection of original published artwork, preliminary sketches, and working notebook sketches by Edward Gorey. The eight lots represented Mr. Gorey's work from the 1950's through 1998. Sale prices for all but one item fell within or below the pre-sale estimates, and two color sketches for book covers from the 1950's failed to sell.
Fans of the supernatural mystery book series begun by author John Bellairs and later continued by Brad Stickland had the rare opportunity to acquire a piece of artwork from The Specter from the Magician's Museum. This beautifully executed pen and ink drawing was one of the deals of the day, selling below its pre-sale estimate.
The Broadway production of Dracula was represented by three rare sketchbook pages (sold as a single lot) containing set and costume notes and sketches.
The star piece by Edward Gorey was a large pen, ink & watercolor cover design for the May 19, 1975 issue of Publisher's Weekly Magazine. This piece (shown at the top of this post) sold for almost twice its estimate.
Monday, May 14, 2018
The most common problems with vintage illustration artwork are A) non-archival glues used to affix paste-up changes to the works B) toning and discoloration to the work because of exposure to sunlight, and C) the appearance of mold and mildew on the surface. For the serious collector, condition is an important consideration on any acquisition, and a good paper restorer can work wonders on a piece of artwork that is in need of some TLC.
The Worsted Monster had two main issues - the paste-up title change was coming off because the old glue had dried out, and there were multiple spots of mold on the surface of the artwork. After carefully removing the paste-up and neutralizing the paper, the title was repositioned using archival materials. Fortunately, the glue did not seep through and discolor the paste-up.
The more difficult restoration on this piece was the removal of mold spots that dotted the surface. The restorer spent over two hours painstakingly removing each spot of mold individually. Once all the spots were removed, the entire work was neutralized. The piece is now mold free and newly framed.
Saturday, May 5, 2018
Gorey's Worlds, the exhibition at the Wadsworth Atheneum closes on Sunday May 6. Here is an interesting article about Edward Gorey and the exhibition.
Thursday, April 26, 2018
Heritage Auctions in Dallas, Texas offered The Swimming Pool, an original pen and ink drawing from The Dream World of Dion McGregor, which sold for $4250.00 (hammer price plus buyer's premium). As the title suggests, the subject of this book is the author's dreams, and Edward Gorey's illustrations from this work have appropriately unusual elements.
As part of their April 26th Fine Illustrated Books & Graphics auction, Swann Auction Galleries offered seven lots of material by Edward Gorey that included original artwork, prints, and ephemera. Three limited edition etchings, each hand signed by Mr. Gorey sold for well above their pre-sale estimates. A very rare, limited edition Doubtful Guest Doll in its original box from 1974 sold for $3750.00.
The most unusual item to be offered at the sale was a hand made Going Away Card created by Edward Gorey for a departing colleague from the time when Mr. Gorey worked at Doubleday and Company. The pen & ink with watercolor card is a one of a kind piece created with obvious affection for the co-worker.
Monday, April 9, 2018
Murder He Wrote, Edward Gorey and the Art of the Mystery will be on display at until December 30 of this year.
Each year, the Edward Gorey House puts together a unique display of works by and about Mr. Gorey. These themed exhibitions draw on pieces in the Gorey Archives, and also on loans of rare materials from private collectors. Each exhibition is a unique opportunity to view works inside the home where Mr. Gorey created many of his signature works.
Edward Gorey was an avid murder mystery reader, and he was especially fond of the works of Agatha Christie, to whom he dedicated his 1971 book, The Awdrey-Gore Legacy. Original artwork from this, and several other published works by Mr. Gorey will be displayed in the exhibition. Crimes, both perpetrated and solved, will be explored and revealed. Previously unpublished artwork by Mr. Gorey will be included in the exhibit, giving visitors the added thrill of seeing artwork for the first time. Plan your visit now!
Monday, April 2, 2018
Tuesday, March 27, 2018
Wednesday, March 14, 2018
The last image is probably the best realized of the grouping, with a woman offering a treat to a long eared dog that has been stuffed into an urn, while the sun observes the scene from behind a passing cloud.
None of these images were put into production, and plates no longer appear to exist. On viewing these prints as a group, it becomes clear that they represent early trials that were abandoned by Edward Gorey in favor of other images. These pieces were most likely created during the printmaking courses that Mr. Gorey attended at the local community college. It is instructive to see some of the perceived failures, and the group provides insight into Mr. Gorey's hands-on approach to his printmaking endeavors.
Thursday, March 1, 2018
Over the years, Edward Gorey was commissioned to create many illustrations for TV Guide. His illustrations for the magazine were usually in color, and often added a humorous touch to the articles they accompanied. These ephemeral pieces usually make only one appearance in print, and then are forgotten until someone runs across them years later when leafing through back issues of the magazine. This article, published in the July 12, 1990 issue, discusses the perils of being a TV obituary writer when caught unawares by the sudden death of public figure. Even though the drawing can never really be seen properly because it bridges the spine, it remains a delightful image.
Monday, February 19, 2018
The Edward Gorey exhibition Gorey's Worlds at the Wadsworth Atheneum Museum of Art is on display February 10 - March 6, 2018. Long after this interesting exhibition closes, the accompanying book Gorey's Worlds (Wadsworth Atheneum Museum of Art, in association with Princeton University Press, 160 pages, 2018) by curator Erin Monroe will be a vital reference for those interested in Mr. Gorey's works.
The lavishly illustrated volume focus on the portion of Edward Gorey's personal art collection which the artist bequeathed to the Wadsworth upon his passing in April 2000. The gift of 73 paintings, prints, and drawings provides unique insight into the art that excited and inspired Mr. Gorey daily. Supplementing the gifted works are works by Mr. Gorey himself. Visual and contextual comparisons are made in the volume's four essays by various contributors, each of which highlights a different aspect of the exhibition.
Gorey's Worlds can be ordered from the Wadsworth HERE.
Sunday, February 4, 2018
Several pieces of artwork from the 1950's version were displayed at The Edward Gorey House in 2016 as part of their Artifacts from the Archives exhibit. This exhibit reunited interior drawings from this book that remain in the Gorey archives with this dust wrapper design that was borrowed from a private collection. The dust wrapper artwork is now in my collection.
An interesting characteristic of this piece of art is that the title was reworked by Edward Gorey and a changed version was pasted over the original title. When I acquired the piece, the seventy year old glue used on the paste-up had dried out and the title was in danger of becoming detached from the surface of the artwork. As part of my conservation of the piece, I gently removed the paste-up which revealed the original title drawing. After documenting the original version, the revised title has been repositioned using archival materials.
Friday, January 26, 2018
Friday, January 19, 2018
Gorey's Worlds. The exhibition, which opens on February 10 and continues through May 6, will showcase artwork that inspired Edward Gorey and informed his personal work.
After Edward Gorey passed away in 2000, the Wadsworth received a legacy from the artist of 73 art pieces that he collected and lived with in his Cape Cod home. The prints, photographs, and drawings range in date from the 19th century to the 1980's. The exhibition will give viewers an extraordinary insight into the artwork that inspired Mr. Gorey and that he viewed daily in his home. This is the first time since their donation that the pieces are being exhibited.
Also included in the exhibition will be original art by Edward Gorey that has been culled from the Gorey Archives and several collectors.
The core exhibition will travel to the Tacoma Art Museum from June 23 - September 30, 2018. A catalog of the exhibition will be forthcoming. For more information on the Wadsworth, the exhibition, and related programming at the museum go HERE.
Artwork shown above: Haunted America by Edward Gorey: watercolor, pen & ink 1990. The Woman and the Bear by Edvard Munch, lithograph 1908-9. Passageway by Eugene Atget, gelatin silver print, N.d..
Monday, January 8, 2018
According to her New York Times obituary, Ms. Grafton credited Edward Gorey's 1963 work The Gashlycrumb Tinies as her inspiration for the alphabetical structure of the series:
“I was smitten with all those little Victorian children being dispatched in various ways,” she told The New York Times in 2015. “ ‘A is for Amy who fell down the stairs; B is for Basil assaulted by bears; C is for Clara who wasted away; D is for Desmond thrown out of a sleigh.’ Edward Gorey was deliciously bent.”
I is for inspiration!
Monday, January 1, 2018
Edward Gorey does not appear particularly at ease during the interview, but his recent success on Broadway with Dracula has put him in the spotlight. He often fidgets in his chair and produces several loud, nervous coughs during his half hour chat with Mr. Cavett. It is an interview that is worth viewing however. When given the opportunity to expound on a subject, Mr. Gorey is informative and entertaining, and his hands are fascinating to watch for their expressiveness, especially in repose.
The typescript of the full interview has been published in the book Ascending Peculiarity, but spending the half hour with Edward Gorey in person adds a layer of depth to the interview that is not present in the transcript. While watching the interview, it is easy to see how Edward Gorey could be played successfully on film by actor Jim Parsons. The full interview can be viewed here: