Wednesday, November 1, 2017

Fine Art Prints, Part 15

On February 5, 2011 we began a discussion on this blog of the various Fine Art Prints created by Edward Gorey. To view the other blog posts regarding these unique pieces of collectible Gorey artwork, search for Fine Art Prints in the blog's search engine.

Recently, two previously unseen etchings by Edward Gorey appeared at an on line auction (neither are in my collection). Both of these prints appear to be working proofs made by Mr. Gorey at the Cape Cod Conservatory., and neither print appears to have been put into production. Both of these prints have been dated, which was not done on any print editions.

The first etching shows a typical Edward Gorey man in a frock coat and top hat with a child in shapeless garb being confronted by what appears to be a bird. The bird's beak resembles a hooked nose and gives the foul a human expression. This print is dated 1976 in the lower left corner in pencil in Mr. Gorey's hand.

The second etching shows a Bolster leaning against a wall. This print is dated 1977 and has a note about timing written in Mr. Gorey's hand in the lower margin. The note reads, "3 min should have been", indicating that the plate was overexposed to the acid when etched, which would have resulted in the over all darkness of the image. Mr. Gorey made several more Bolster etching plates which were printed after his death. The other Bolster prints have more delicate appearance than this example, which also indicates that this plate was over etched.

Many of Edward Gorey's Fine Art Etchings are available from The Edward Gorey House HERE. Prints can also be found on the secondary market through auctions.

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