A Trip To NYC

A recent trip to New York City had us running from one end of Manhattan to the other in pursuit of art, books, exhibitions, friends and theater. One highlight of the trip was a visit to the New York Public Library where there is a special exhibition on the history of children's books entitled The ABC of It: Why Children's Books Matter. The exhibit showcases many examples of famous and lesser known authors and illustrators and will be on display until March 23, 2014.

Unfortunately, Edward Gorey was not included in the line-up, but the display gives visitors a chance to see many of his influences and inspirations. Of particular interest to Goreyphiles is an example of an early moral primer which inspired The Eclectic Abecedarium.

Also on display is a book of original drawings and limericks by Edward Lear (see photo at the top of the post) and four original John Tenniel pencil drawings from Alice in Wonderland, which are so finely drawn as to be almost non-existent on the paper - the precision and line control really reminded me of original artwork by Edward Gorey.

 

There are too many other books and pieces of artwork to list. The exhibition is free and is well worth a visit.

Goreyana Turns Five!

"Welcome to my Edward Gorey blog." This was the first sentence of my first post on October 5, 2008. I began Goreyana ~ my collecting blog devoted to the works of Edward Gorey five years ago today and as of this morning, my blog has just topped 200,000 visits.

I could not be more thrilled and I would like to thank everyone who has visited this blog and has enjoyed my posts. I have especially enjoyed hearing from others with an interest the work of Edward Gorey. Your comments and questions keep me writing and researching topics of interest. I look forward to the next five years.

The Bell, The Book and The Spellbinder Original Artwork

The Bell, The Book, and the Spellbinder by Brad Strickland (continuing the stories by John Bellairs) was published in 1997 and features a wrap around dust jacket design by Edward Gorey.

It is always exciting to see Edward Gorey's original paintings from the Bellairs series. As with most of Mr. Gorey's original artwork, in person the images appear to be larger than the printed versions, when in fact they are executed 100% to the final printings. As can be seen in the image above, the painted background on this piece extends well beyond the crop marks which indicate the dimensions of the jacket and where the spine will be positioned.

Mr. Gorey usually stays close to the crop marks when painting the outside edges of the art, and the crosshatched parts of this image do just that. The watercolor background swirls and fairly bursts at the edges giving the painting a wild, stormy look. Because of this, the original artwork has much more movement than the cropped image on the printed dust jacket.

Mr. Gorey always hand drew the typography for the Bellairs covers as a separate piece of art. This way he was able to work with India Ink and have the type reversed to appear white on the final printing. Working this way allowed him more freedom to paint, while keeping the type crisp on the final dust jacket. When designing the artwork, Mr. Gorey also had to consider the practical needs of the publisher. The lower left corner of the back was left free for the UPC code, and while he hand wrote "Dial" on the spine, he had to leave room for the official publisher's logo.

Cabaret Macabre

Happenstance Theater is a professional theatrical company which performs in various venues in and around Maryland. In what is becoming a highly anticipated Fall tradition, the company will be performing an all new Cabaret Macabre~ a theatrical piece inspired by "Edward Gorey, Victorian nightmares, dangerous croquet, Gothic romance, afternoon tea, and the perils of the deep".

Now in its 4th year, this annual excursion will be performed in Silver Spring, MD in October & November, and will also be part of the New Orleans Fringe Festival in November. To find out more about this unusual theatrical event, click here. Be sure and watch the Dangerous Croquet video from last year's show!

Who Would You Like To Meet?

On Sunday September 8, The New York Times Sunday Book Review interviewed Pulitzer Prize winning author Jhumpa Lahiri. One of the questions put to her was "If you could meet any writer, dead or alive, who would it be?" Click here to read her answer...

Writing a Collecting Blog

I was asked by The Edward Gorey House to provide a short piece about writing this blog. They have published my piece on their website, which can be read here.

Amphigorey Limited Edition Cat Artwork Continued

Amphigorey, Edward Gorey's first compilation book, was published in 1972 by G. Putnam's Sons, New York. The book was originally published in a hard cover binding with a matching illustrated dust wrapper. A special signed/numbered/slipcased edition of Amphigorey was also produced at that time in an edition of 50 copies. Each of these special copies was accompanied by a piece of original artwork featuring a cat. Each drawing was numbered within the artwork to match the book it went with.  (See my posting from April 15, 2009 for more information about this edition of Amphigorey)

I recently learned of two additional numbered drawings - #51 & #52. I acquired drawing #51 and have seen #52. Drawing #51 shows a cat sitting on top of a hill (or flat topped rock) holding a small evergreen branch with a treetop star above its head. The number of the drawing appears within the star. This image has been issued as a Christmas card with the number removed and the colors changed to red & green.

Drawing #52 shows a levitating cat from behind wearing striped leg warmers. This cat is holding a trumpet and the number is written on the floating scarf which appears to have slipped from the cat during its heavenly ascent. (This piece of artwork is not in my collection)

The story associated with these two drawings is that Edward Gorey was originally going to do 100 limited edition copies of Amphigorey and that he decided to halt the limitation at 50, but there are a couple of problems with this story...

I have seen three original pieces of artwork from Amphigorey in person, and each of these have been drawn on vertically orientated pieces of paper. The placement of the artwork is toward the upper part of the paper with the lower third completely blank. Drawing #51 is executed on the same size piece of paper, but the paper is horizontally orientated and the artwork is centered (see photo below).  I have not seen #52 outside of its frame, but the framing matches #51, so I assume it is the same.

The greater mystery appears on the back of the artwork. On the reverse side in Mr. Gorey's hand, Cat #51 is dated December 7, 1980 at the lower right hand corner. This date is eight years after he created Amphigorey drawings #1 - #50. This date creates more questions than it answers.

When creating drawings for publication as an "A Collection" book, Edward Gorey would place a date on the back of each drawing he was creating for the proposed volume. This date would indicate when he actually drew/painted the piece of art. A single date meant that he finished the art in one day, a double date indicates which days he began and completed the piece. The original Amphigorey cat drawings are not dated because they were pieces of artwork and were not intended for publication even though they would appear as Categor y, published by Gotham Book Mart in 1974.

The most plausible explanation for the existence of these two drawings is that Mr. Gorey was approached by someone (most likely Gotham Book Mart) to continue the numbered cat drawings starting at #51 and continuing to #100 as a sequel to Categor y. This would account for the number within the artwork and the date on the back of the drawing. The fact that only two additional drawings exist shows that the idea did not get very far before Mr. Gorey lost interest and decided to stop.