I hope everyone has a Merry Gorey Christmas!and...an even Gorey-er New Year!
The Twelve Terrors of Chrismas remains popular today. In 2006, Pomegranate came out with a hardback reprint (with green covers) that is still available.
This story was first published as A Serious Life: The Retrieved Locket in Anteas number 75/76 in Autumn 1994. It was also included in Amphigorey Again.
The December 9th, 2010 auction at Bloomsbury Auctions is getting more press than usual for an Edward Gorey themed auction. This is to a large degree because of the fur coats which will be on the block this week.
2010 has been a banner year for auctions featuring the works of Edward Gorey. The autumn sales at Pacific Book Auction and Swann Auction Galleries are behind us, but a unique auction is coming up on December 9th at Bloomsbury Auctions in New York.
Edward Gorey created a dust wrapper painting which shows two scenes, one on the front cover and one on the rear. While the rear cover shows an intriguing image, the front cover design is the star of this show. The front of the book features a zombie carrying Johnny away into the night, while Professor Childermass confronts it with a flashlight. I have not seen this artwork in person, but close examination of the printed image reveals how the white paper is left unpainted for the beam of light, while the background is painted all around the glowing stream. Mr. Gorey shows exceptional control of his watercolor paints in this image.
I find it amusing that Edward Gorey took the liberty of turning the face of the zombie green in his painting, giving it a "Frankenstein's Monster" look. The description in the book states that the zombie is deathly pale with dead eyes. There is also an amusing story about the interior art posted on www.bellairsia.com - Mr. Stickland sent a sketch to show Mr. Gorey what he intended for the illustration which appears on page 125. Mr. Gorey forwarded the original sketch to the publisher explaining that he could not improve on the art!
Our final area of Edward Gorey collectible stuffed dolls & toys is the commercially made items (see my postings from October 6 & 28, 2010 for previous discussions on stuffed toys). The commercial dolls come in several different forms. Some had limited availability, while others were, and occasionally still are, available through catalogs such as Signals.
The rarest of the commercially made dolls is the limited edition Doubtful Guest figure which was created in 1974 under Mr. Gorey's supervision. This doll was discussed fully in my posting on October 20, 2008.
There were five characters created by Toy Works in the late 1970's and 1980. Each bean bag animal features full color printing on fabric, is stuffed with hard plastic beads, and each has a printed copyright date. The animals are printed front and back and the detailing on these pieces is really wonderful.
The Toy Works collection includes a Bat (1980), Cat (1978), Pig (1979), Frog (1980), and a Rabbit (1980).The Toy Works Bat is the most common of the dolls and one of the most wonderful. The fabric is printed with Edward Gorey's distinctive cross hatching which has been shaded to give the doll more three dimensionality. The eyes of the creature are red rhinestones and the wings are stitched and stiffened. With its 14.5" wingspan, the bat is the largest of the Toy Works collection.
The Toy Works Cat is a favorite amongst collectors. Each 6.5" cat wears a printed sweater with boldly colored stripes. Cats were available wearing orange/yellow or two tone blue sweaters.
The Toy Works Pig is an animal of sartorial distinction. This pant-less farm animal stands approximately 7" tall and is attired in a snappy vest, bow tie, and jacket. Pigs are usually printed with pink skin, but I have a second example with light purple skin.
The Toy Works Cat & Pig were also available as "Sew It Yourself" kits. Unopened kits are fairly uncommon.
The Toy Works Frog is a collegiate fellow and can be relatively difficult to find. Decked out in a letter sweater and tennis shoes, this amphibian is ready for the big game. The frog is approximately 7.5" in length when laid flat and has button eyes. The frog is the most acrobatic of the animals. He can lay flat, drape over the edge of chair, or sit up to watch the game.
The Toy Works Rabbit is by far the rarest of the animals. At approximately 6" tall this snappy fellow is boldly adorned in a green jacket and orange/yellow kilt. When I first encountered a stuffed rabbit years ago at Matthew Monahan's NYC apartment, he told me that this animal was not put into regular production, and very few were created. The fact that I have only seen of three examples in 30 years of collecting reinforces this opinion. The example pictured to the left belongs to a fellow collector.
A Bahhum Bug doll accompanied the limited edition of The Headless Bust. Since the book had an edition of 776 copies, there were 776 dolls made. These dolls have tons of personality and can be set about in many different positions.
A small number of extra Bahhum Bug dolls were made and were sold individually by Gotham Book Mart. One interesting thing about the Bahhum Bug dolls is that some were printed facing left and some facing right. I am not sure which is more prevalent or if there were equal numbers of each.
In 2003, Gund came out with a stuffed Gorey Cat doll. These cats come with different colored, removable knitted sweaters. The detailing on these plush pussycats is fantastic. They look like they stepped right out of an Edward Gorey illustration.
I recently acquired a piece of original artwork created by Edward Gorey for John Bellairs' The Curse of the Blue Figurine. The book was published in 1983 and there is more information on this title in my posting from May 24, 2009. This frightening image was used as the frontis illustration and is reprinted full size in the book. The drawing is signed in ink by Mr. Gorey.
The skill of Edward Gorey's crosshatching technique in this piece of art is a master class in line manipulation. In this single image Mr. Gorey uses variations of line to render the cave, figures, rain outside the cave, fire, smoke from the fire, and the enveloping darkness surrounding them. I especially like the two pinpoint glowing eyes of the advancing figure which are added with small dots of white paint.
The limitation is the most interesting thing about this book. Inside one cover, the limitation goes forward from 1/100 and is signed by one "author", flipping the book, the limitation descends from 100/100 and is signed by the other "author". My limited edition is signed 6/100 Dogear Wryde & 95/100 Ogdred Weary. The second book I am showing is the regular edition and none of the non-limited copies are signed. I am also showing the announcement card from Gotham Book Mart.
Bats - Created in shiny silver (and sometimes pink satin) fabric, bats were made for friends. Mr. Gorey created a handful of bat dolls to decorate one friend's Christmas tree, and it was rumored that he gave each cast member of Dracula a bat doll (I have not been able to confirm this story). I do not have a bat in my collection - the photo is from an auction listing.
Frogs - I have a wonderful Gorey frog in my collection. Like the commercially produced frogs (to be discussed in a later posting), these amphibians can lay splayed flat or sit up in a wonderfully lumpy way. The frogs have button eyes. I was told that Mr. Gorey created a frog out of holiday fabric for each cast member of his play Stumbling Christmas.
Elephants - I have yet to add one of these fantastically floppy pachyderms to my every expanding menagerie. The elephant in the photo was offered by Bromer Booksellers in their 2001 catalog. Elephants are fairly elusive and rarely become available. They are also the most three dimensional of all the Gorey-made dolls.
Brad Strickland took on the job of completing and/or writing books for stories left behind by John Bellairs when the author died in 1991. The Vengeance of the Witch-Finder is the second title completed by Mr. Strickland in the series. Published in 1993 by Dial Books for Young Readers, New York, The Vengeance of the Witch-Finder takes place concurrently with the events outlined in Mr. Strickland's previous book, The Ghost in the Mirror (see my posting from September 22, 2010).
The drawing of the maze appears to be lost, but the dust jacket and frontis original artwork are not.
I was not able to obtain the color dust jacket artwork from Bromer, but I was fortunate enough to secure the frontis illustration (from Gotham Book Mart). In this fantastically spooky illustration, a ghostly figure appears outside a window, distressing Lewis so he drops his candlestick (the book he is holding in his other hand will soon burst into flames!). The moody crosshatching is perfectly executed, with the ghostly head and hands of the apparition glowing against the midnight sky.
The past two weeks were Edward Gorey madness at auction houses on separate ends of the country.
For books, the star of the show was a copy of The Raging Tide, copy "J" of 26 lettered copies that came with a stuffed Figbash doll - hand made by Edward Gorey himself. This was the first appearance of these rare dolls, which have become much sought after by collectors.
The Pointless Book: or Nature & Art by Garrod Weedy was published in 1993 by The Fantod Press with the copyright on the back cover. According to F is for Fantods by Edward Bradford, about 400 copies total of this book were printed. The book has a limited edition of 100 copies which have been signed and numbered by Mr. Gorey as "Garrod Weedy" inside the front cover and these signed copies were issued in a plain white envelope. I am showing copy #98/100, and an unsigned copy. Mr. Gorey did not sign any of the "regular" copies of this title. The announcement card from The Gotham Book Mart is shown to the left.
Edward Gorey created the artwork for the dust jacket and the frontis illustration for this title. Mr. Strickland's name does not appear on the dust jacket because the cover art was completed and printed before Mr. Bellairs passed away, so "Completed by Brad Strickland" only appears on the title page.
This piece of original art by Edward Gorey is a masterpiece of suspense and terror. If you did not know that it was a piece of dust jacket artwork, you would view it as a wonderfully creepy painting by Mr. Gorey. Barely visible on the printed dust jacket are two faces which appear on the front cover inside the "O" of Ghost and Mirror. They can be seen a bit more clearly floating in the sky on the original art.
After my posting on August 22, 2010, the folks at the Edward Gorey House were kind enough to find the pillow I showed in my posting and forward a better photo for everyone to see. Standing in the gallery, Assistant Director Duncan Gibson (on the right) and his partner Morgan are shown holding the pillow for a better view. This photo also gives a glimpse of the current exhibition and shows just how many wonderful books, artwork and objects are on display.

The Grand Passion is an operatic tale featuring a caricature Oriental couple which could have stepped straight out of Gilbert & Sullivan's The Mikado. In 1983, Mr. Gorey created sets and costumes for a production of The Mikado which was presented at Carnegie Mellon University.
In The Doleful Domesticity, what appears to be the same couple are moving house with their baby and young child. Both of these tales are wonderfully disjointed in the best Edward Gorey fashion.