More Edward Gorey Mugs

On my posting from January 22, 2012, I showed a number of Edward Gorey designed mugs that I have in my collection. A generous follower of this blog has sent photos of three mugs that I did not show.

There were two mugs created for the Signals catalog to advertise Mystery!, the weekly series of classic and modern murder stories. The two designs were made with printing that partially disappeared when the mug was filled with hot liquid, revealing new plot twists. While nice in theory, the mugs never really worked that well, and with repeated use the disappearing ink goes mid-tone grey. These mugs must also be hand washed. This is the second design, the first being shown in my previous post. The small helicopter that appears to be hovering at a distance is one of the more unusual aspects of this mug.

The other two designs forwarded to me are mugs that feature Figbash, that enigmatic creature created by Mr. Gorey for his book The Raging Tide. Figbash cavorts merrily on both of these mugs, dancing with a gramophone horn on one and floating amongst commas on the other. The mug with the commas was created for Mr. Gorey's show Inverted Commas.

Dracula & Dark Shadows

We have been watching a lot of Dark Shadows at our house over the past few months. The 1960's & 70's daytime soap is awash with vampires, ghosts, the supernatural, and more than a few passing references to classic horror films. I have not heard that Edward Gorey was ever an avid watcher of the show, but it seems to be the kind of daytime entertainment that he would have enjoyed for its high camp tone and occasional, questionable production values.

While looking up information about actor Humbert Allen Astredo, the actor who played warlock Nicholas Blair, I came across the fact that Mr. Astredo played Van Helsing in the 1985 national tour of Edward Gorey's Dracula. The tour starred Martin Landau as Dracula, and came to the newly completed Ordway Theater in St. Paul, Minnesota on February 4 & 5, 1985. Bill and I attended both performances of the play.

The House With A Clock In Its Walls Art

 I was asked to pick my five favorite pieces of art from the Edward Gorey illustrations for The House With A Clock In Its Walls by John Bellairs. My picks and comments are now on the bellairsia website.

Gashlycrumb Tinies Stained Glass

As many followers of this blog know, I co-own Century Studios, a stained glass studio in St. Paul, Minnesota with Bill Campbell. Each year, we like to create and donate a stained glass window hanging to the Edward Gorey House which they can auction or sell. The piece relates to the theme of the current exhibition, and each is a one-of-a-kind creation.

In 1963, The Vinegar Works was published as three separate books housed in a decorated slip case. The design of the box features a skeleton family dressed in their Sunday best. This year, we have chosen one of the skeletal children who appear on the spine of the box as the theme for our stained glass suncatcher.

The piece is completely hand made using American-made art glass. We chose an unusual textured red glass for the background of the figure. The figure and decoration are hand painted by Bill onto the surface of the glass and is kiln fired to become permanent.

To find out how you might obtain this one of a kind piece, contact The Edward Gorey House.

Edward Gorey New York City Ballet Pinback Buttons

Edward Gorey was an enthusiast and supporter of the New York City Ballet. One way he showed his support was to create images which the Ballet could have printed on merchandise which they sold in their gift store. Posters, cards, clothing, beach towels, and pinback buttons all were adorned with Gorey images.

I am showing three pieces of original artwork that Edward Gorey created in October 1975 to be used as pinback buttons for the ballet. This artwork was offered to me many years ago by Gotham Book Mart, but unfortunately I was unable to acquire them at the time. I am especially fond of the image at the bottom with the dancer being held aloft. The composition of this design is both gravity defying and amusing. I do not know how dancers are trained to hold their hands when striking a pose, but this ballerina's hands have a manic look about them even though her expression is confident.

Edward Gorey Theatrical Pinback Buttons

Since originally publishing this post, a friend generously gifted me with the two buttons I was missing from Edward Gorey's Cape Cod theatrical productions. The revised post follows:

Edward Gorey created pinback buttons for most of the theatrical entertainments he was involved with. He also created a number of pinback buttons for the New York City Ballet. These buttons were usually made in very limited quantities and were sold in lobbies and gift stores at the events. Extra buttons were usually sold by Gotham Book Mart. Even though they were inexpensive souvenirs, they can be quite difficult to find today, making them a challenging collectible to acquire.

Mr. Gorey usually drew a unique image for the pinback buttons, making each button the only place you will find the image. If the image also appeared on a program or poster, he would redraw it to size for the button rather than reducing it down. Each design is a vignette that often includes the title of the production it was created for. Below I am showing a complete collection of the buttons from his productions on the Cape.

From 1994 onward, Figbash makes frequent appearances on the buttons, as well as on posters, programs, announcement cards, and even on stage. I own one of the earliest white hand sewn Figbash dolls that was included as part of the set decoration on Chinese Gossip.

Tinned Lettuce & Amphigorey - These two productions were performed in New York City and not on the Cape. Tinned Lettuce is from 1985 and Amphigorey from 1994. I attended performances of both of these productions. The Tinned Lettuce button is the only one to have a maker's mark along the edge: N C SLATER CORP NYC 10011 (followed by a minute logo). All other buttons are unmarked.

 Lost Shoelaces 1987 - Another souvenir from this production are the printed shoelaces which were sold in pairs.

Useful Urns 1990 - The small boy appears on many theatrical posters and buttons.

Stuffed Elephants 1990 - Mr. Gorey created many prints of elephants as well as sewing actual stuffed elephant toys.

Flapping Ankles 1991 - Eggplant, Boy, Frog...

Crazed Teacups 1992 - The boy is adrift atop teacups which are floating in Chinese-style clouds or waves.

Blithering Christmas 1992 - Why Mr. Gorey associated Robots and Reptiles with Christmas is anyone's guess.

Chinese Gossip 1994 - Figbash does ballet.

Inverted Commas 1995

Salome 1995 - Figbash in a supplicating gesture. This button does not have the name of the play on it, but rather a command for the viewer.

 Stumbling Christmas 1995 - Figbash blows the Holiday Horn of Plenty.

Epistolary Play 1997 - Figbash dances with a replaceable pen point of the sort that Gorey used in his drawing pens.

English Soup 1998 - Figbash with an urn, there was also a limited edition print created for this production.

Tragic Secrets - This is a pose I have yet to see any of my dogs achieve...but they try... According to Rick Jones, director of The Edward Gorey House, Tragic Secrets was scheduled to be performed but had to be cancelled due to the illness of "the most important actor". Another production was mounted and the button is all that remains of what might have been.

Additional Graham Gallery Les Roses Images

On my post from December 28, 2011, I featured an image by Edward Gorey entitled: Les Roses bleuatres l'oubliette dans la cuisine which was included in the 1975 Graham Gallery Problem Pictures show. I have recently run across two black and white reprints of artwork that must have been created as companion pieces for the show. If Edward Gorey used the same size and format for each of the three paintings, the images are heavily cropped in the black and white photos, but perhaps he created the images in different shapes and sizes.

Finding two more images makes me wonder if there might be more to this series. Some enigmatic story line is indicated - in the first piece (or possibly the final piece) we have an exterior view of the cutaway building, while the other two images indicate strange domestic events.